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\u5ce1\u6c5f2-4
ECM-1944NS
Andr\u00e1s Schiff
Ludwig van Beethoven: The Piano Sonatas, Vol IV \u2013 Sonatas Opp. 26, 27 and 28<\/strong><\/p>\n\n\n\n

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JAZZDISCO.org \u304b\u3089<\/summary>
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ECM 1944 NS Ludwig Van Beethoven – The Piano Sonatas Vol. IV: Sonatas Opp. 26, 27 And 28 — Andras Schiff 2007

Andras Schiff, piano

Tonhalle Zurich, Zurich, Switzerland, April 24, 2005

Sonata No. 12 A-Flat Major Op. 26: Andante Con Variazioni
Sonata No. 12 A-Flat Major Op. 26: Scherzo. Allegro Molto
Sonata No. 12 A-Flat Major Op. 26: Marcio Funebre Sulla Morte D’un Eroe
Sonata No. 12 A-Flat Major Op. 26: Allegro
Sonata No. 13 E-Flat Major Op. 27\/1: Andante – Allegro – Tempo I
Sonata No. 13 E-Flat Major Op. 27\/1: Allegro Molto E Vivace
Sonata No. 13 E-Flat Major Op. 27\/1: Adagio Con Espressione
Sonata No. 13 E-Flat Major Op. 27\/1: Allegro Vivace
Sonata No. 14 C-Sharp Minor Op. 27\/2 – Sonata Quasi Una Fantasia “Moonlight”: Adagio Sostenuto
Sonata No. 14 C-Sharp Minor Op. 27\/2 – Sonata Quasi Una Fantasia “Moonlight”: Allegretto
Sonata No. 14 C-Sharp Minor Op. 27\/2 – Sonata Quasi Una Fantasia “Moonlight”: Presto Agitato
Sonata No. 15 D Major Op. 28 “Pastorale”: Allegro
Sonata No. 15 D Major Op. 28 “Pastorale”: Andante
Sonata No. 15 D Major Op. 28 “Pastorale”: Scherzo. Allegro Vivace
Sonata No. 15 D Major Op. 28 “Pastorale”: Rondo. Allegro Ma Non Troppo<\/p>\n\n\n\n

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\u611f\u60f3<\/strong><\/p>\n\n\n\n

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\u3000ECMrecords.com \u3067\u306f\u3001\u8a55\u8ad6\u5bb6\u306e\u8a00\u8449\u3092\u501f\u308a\u3066\u3001\u3053\u306e\u7b2c14\u756a\u300c\u6708\u5149\u300d\u306b\u3064\u3044\u3066\u6b21\u306e\u3088\u3046\u306b\u66f8\u3044\u3066\u3042\u308b\u3002<\/p>\n\n\n\n

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\u300cNobody in the hall will have heard this first movement like that before\uff08\u30db\u30fc\u30eb\u306e\u8ab0\u3082\u3001\u3053\u306e\u7b2c1\u697d\u7ae0\u3092\u3053\u306e\u3088\u3046\u306b\u8074\u3044\u305f\u3053\u3068\u306f\u306a\u3044\u3060\u308d\u3046\uff09\u300d<\/p>\n<\/blockquote>\n\n\n\n

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\u300cNot the kind of over-demonstrative approach which has become common these days lies at the heart of this interpretation but the consequent and courageous scrutiny of the musical text\uff08\u3053\u306e\u89e3\u91c8\u306e\u6838\u306b\u3042\u308b\u306e\u306f\u3001\u6700\u8fd1\u4e00\u822c\u7684\u306b\u306a\u3063\u3066\u3044\u308b\u3088\u3046\u306a\u904e\u5270\u306a\u8868\u73fe\u65b9\u6cd5\u3067\u306f\u306a\u304f\u3001\u97f3\u697d\u30c6\u30ad\u30b9\u30c8\u306e\u5fb9\u5e95\u3057\u305f\u52c7\u6c17\u3042\u308b\u7cbe\u67fb\u3067\u3059\uff09\u300d<\/p>\n<\/blockquote>\n\n\n\n

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